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DRAMA 7

Bancroft’s Players at the Edinburgh Fringe

Jaya Rana, U6N

Last summer, a group of upper school students

had the opportunity to attend and perform in the

Edinburgh Fringe Festival. The Fringe Festival is the

world’s largest and most famous arts festival taking

place every year from the 1 to the 31 August. The

Bancroft’s Players put on a production of Frank

Wedekind’s

Spring Awakening

. This play is famous

for its revelations about social oppression; although

the original centres on 18th century Germany,

the message it sends is universal and timeless.

An ambitious play to choose! Our director Ms

Middleton embarked on creating this show with less

than a week of rehearsal time.

After a very intensive seven days of rehearsing we packed our bags

and headed for King’s Cross. Six hours of enjoying the beautiful

countryside views later, we arrived in Edinburgh. The city was

abuzz from the moment we stepped foot off the train! Every corner

we turned we were approached by comedians, actors and singers

encouraging us to see their show. Considering there were over

53,000 performances and we only had 13 days, we had to pick and

choose. My personal favourite was a show called

Flight

, which was

an immersive experience in which 20 of the 25-minute production

were in pitch black, the experience being entirely auditory. We also

went to see a thrilling production of

Antigone

in which the infamous

antagonist King Creon was instead portrayed as Queen Creon,

something which I felt added an interesting and innovative dynamic

to the play. We performed our play every night (bar one) and spent an

hour a day handing out flyers, something which definitely taught us

how to receive rejection! Fortunately, it paid off as we had a decently

full audience every night, which was very encouraging.

As we had a fair amount of free time, a group of us decided to go

to the Edinburgh dungeons which was very enjoyable, We also saw

Trump: The Musical

… something I don’t think I can ever un-see!

Overall, from our nightly renditions of

Teenager in Love

backstage to

spending hours every night singing and playing the guitar together

in our flat, I think it’s fair to say that this trip was an unbelievable

experience and something none of us will forget.

Wendy and Peter

: Lower School Flying High

Cast members of the Junior School

Production were literally flying high

during performances of Ella Hickson’s

Wendy and Peter

. Pupils from Thirds

to Lower Fourth approached the

production with enthusiasm and,

according to the Director Ms Elie

Middleton, were “highly creative,

not to mention hugely entertaining.”

Ella Hickson retains many familiar elements

from J M Barrie’s

Peter Pan

: the flight to

Neverland from the nursery; Hook’s feud

with the crocodile; even the audience being

called upon to revive a dying Tinkerbelle by

demonstrating their belief in fairies. It also

gives a real 21st century slant to the story.

Hickson’s retelling of the story places Wendy

(Jaya Robertson) firmly in the centre of the

action. She leaves behind the girl conforming

to society’s stereotypes to develop into

a determined young woman who knows

her own mind and rejects the role Peter

assigns to her as “mother” of the Lost Boys.

Together with a TOWIE-esque Tinkerbelle

(Georgia Moncur) and the feisty Tiger Lily

(Isabella Erdem), Wendy demonstrates real

“girl power” by defeating Hook. Lucy Joyce

gave a mature and nuanced performance

as a disturbingly creepy Hook, while Josie

Grimsell as Peter, clearly revelled in her

opportunities to fly. Jaya was well supported

by Olly Hughes as John Darling, who

conforms to the Edwardian expectations

for his gender, and Dylan Karunathilake as a

questioning Michael.

This production showed true company

spirit with the cast demonstrating tight

ensemble playing particularly among the

Lost Boys and Hook’s pirate crew. Mr Aron

Whitbread together with his team, should

be commended on the fantastic pirate ship

which was an evocative background to the

action. Congratulations to all those involved,

including the hardworking backstage crew

and those members of staff who assisted in

the flying scenes. All elements seamlessly

combined to make a truly magical show.